Shopping on line can be easy, simple and save you lots of money. It can also take a lot of your time, frustrate you, and result in unwanted purchases. Now the same can be said for regular high street shopping, but with the vast opportunity presented by the Internet it will pay you to spend a few minutes reading this and understanding how to better optimize your Video Game shopping experience:
1. Compare - without doubt the biggest advantage that the Video Game offers shoppers today is the ability to compare thousands of Video Game at a time. This is a great thing, but not necessarily all the time! Too much can be daunting at times so take advantage of the great comparison sites and where possible let them do the hard work for you.
2. Research - if it has been said it will be on the internet. Ignorance is no longer a justifiable reason for buying the wrong thing. Take the time to research in detail everything that you could possible want to know about
3. Testimonials - don't know anybody that has bought a Video Game? Wrong! If the Video Game is good the internet will let you know. Use the Internet as a friend and get testimonials before you buy.
4. Questions - Got a question about Video Game then search the Forums, FAQ's, Blogs etc. Don't be afraid to ask .....
5. Reputation - Never heard of the company selling Video Game? Don't worry, no reason why you should know every company in the world, but you know someone that does! Use the internet to find out what people are saying about Video Game and build up a picture of their reputation for sales, returns, customer service, delivery etc.
6. Returns - still worried that even after all of the above your Video Game wont be what you want? Check out the returns policy. There is so much competition now that someone, somewhere is bound to offer the terms that you are comfortable with.
7. Feedback - happy with your Video Game then let people know, after all you are depending on others people input in your buying decision, so why not give a little back.
8. Security - check for the yellow padlock on the Video Game site before you buy, and the s after http:/ /i.e. https:// = a secure site
9. Contact - got a question about Video Game, or want to leave a comment then check out the sites contact page. Reputable companies have them and respond.
10. Payment - ready to pay for your Video Game, then use your credit card or PayPal! Be aware of companies that don't accept them, there may be genuine reasons but given the huge amount of choice you have when buying online there is no reason at all not to buy via credit card or PayPal.
's
Pac-Man is one of the most popular video games ever made. The game spawned merchandise, Pac-Man (TV series) and
pop songs, and is one of the most heavily Clone (video games) video games of all-time.A
video game is a
game that involves interaction with a
user interface to generate visual feedback on a
display device.
The word
video in
video game traditionally refers to a raster graphics display device.{{cite web |url=http://www.freepatentsonline.com/4813671.html |title= Raster monitor for video game displays |accessdate=2007-10-16 |format= |work=United States Patents --> However, with the popular use of the term "video game", it now implies any type of display device. The
consumer electronics used to play video games are known as platforms; examples of these are
personal computers and
video game consoles. These platforms are broad in range, from large
computers such as
mainframe computer, to handheld devices such as
cell phones and Personal digital assistant. Specialized video games such as arcade games, while previously common, have gradually declined in use.
The user interface normally used to manipulate video games is called a game controller, which varies across platforms. For instance, a dedicated console controller might consist of only a button and a
joystick, or feature a dozen buttons and one or more joysticks. Early personal computer based games historically relied on the availability of a
computer keyboard for game play, or more commonly, required the user to purchase a separate joystick with at least one button to play. Many modern computer games allow the player to use a keyboard and
computer mouse simultaneously.
Beyond the common element of visual feedback, video games have utilized other systems to provide interaction and information to the player. Chief examples of these are sound reproduction devices (
Computer speaker) and an array of haptic peripherals (i.e., vibration or force feedback).
Origins
The
history of video games traces back to 1948, where the idea of a video game was conceived and patented by Thomas T. Goldsmith Jr. and Estle Ray Mann.Thomas T. Goldsmith Jr. and Estle Ray Mann filed a United States patent application on January 25, 1947 and issued on December 14, 1948. In 1958, William Higinbotham's
Tennis for Two was developed. Then in 1962, "
Spacewar!", was developed and it is hailed as the very first computer video game. Later in 1971, Computer Space was released, the first commercially sold, coin-operated video game console.
Nolan Bushnell and
Ted Dabney are credited as its creators. Finally, another great pioneer of video games came in 1972 with the Magnavox Odyssey, the very first home console.
Platforms
In common usage a "
personal computer game" refers to a game that is played on a personal computer connected to a high-resolution video monitor. A "console game" is played on a specialized electronic device that connects to a standard
television set or Composite monitor. A "handheld" gaming device is a self contained electronic device that is portable and can be held in a user's hands. "Arcade game" generally refers to an even more specialized type of electronic device that is typically designed to play only one game and is encased in a special
arcade cabinet. These distinctions are not always clear and there may be games that bridge one or more platform. There are also platforms that have non video game variations such as in the case of
Electromechanics based arcade games. There are also devices with screens which have the ability to play games but are not dedicated video game machines. Examples are mobile phones, PDAs,
graphing calculators, GPS receivers, MP3 players,
digital cameras and watches.
Genres
A video game, like most other forms of media, may be categorized into computer and video game genres based on many factors such as method of game play, types of goals, and more.
Because genres are dependent on content for definition, genres have changed and evolved as newer styles of video games are created. As the production values of video games have increased over the years both in visual appearance and depth of story telling, the video game industry has been producing more life-like and complex games that push the boundaries of the traditional game genres. Although many games combine genres, very few actually exist outside the paradigms of previously established genres (with notable exceptions, which when successful generally define a new genre through subsequent imitation by competition).
Some genres represent combinations of other genres such as with MMORPG (MMORPG). It is also common to see higher level genre terms that are collective in nature across all other genres such as with Christian video games or horror-themed video games.
Social aspects
Multiplayer
gaming has traditionally been a social experience. From its early beginnings, video games have commonly been playable by more than a single player. Multiplayer game are those that can be played either competitively or cooperatively by using either multiple input devices, or by
Hotseat (multiplayer mode).
Tennis for Two, arguably the first video game, was a two-player game as was its successor,
Pong. The first commercially available console game system to support multiple games (the Magnavox Odyssey), had two controller inputs.
Since that time, most console systems have been shipped with two or four controller inputs. Some have had the ability to expand to four, eight or as many as twelve inputs with additional adapters, such as the
Multitap. In the early days, multi-player
Coin-op games commonly featured hotseat play for at least two players. In later years it was more common to feature two-player simultaneous competitive play. Public business establishments which feature predominantly coin-op video games are generally referred to as Video arcades, and were widely popular during the golden age of arcade games. Also in recent years, new-age
Video Gaming Centers are providing customers with the many different types of video gaming consoles. The idea of bringing people together in a cozy space that resembles the common household basement. These gaming places differ from the traditional idea of arcade.
Many early computer games for non IBM PC descendant based platforms featured multiplayer support. Personal computer systems from
Atari and Commodore International both regularly featured at least two game ports. Network games for these early personal computers were generally limited to only text based adventures or MUDs that were played remotely on a dedicated server. This was due both to the slow speed of modems (300-1200 bit/s), and the prohibitive cost involved with putting a computer online in such a way where multiple visitors could make use of it.
IBM PC (PC for short)-based computer games started out with a lower availability of multiplayer options, largely due to many games being dependent on keyboard or mouse based interactions, a single gaming port (if any) available, and network options that were limited. However, with the advent of widespread
local area networking technologies and Internet based online capabilities, the number of players in modern games can be 32 or higher, sometimes featuring integrated text and/or voice chat.
MMOs can offer extremely high numbers of simultaneous players;
EVE Online set a record with just under 36,000 players on a single server in 2006. MMORPG.com report EVE Online reaching 32955 Peak Concurrent Users
Benefits
Perhaps the most visible benefits of video gaming are its artistic and entertainment contributions. As a form of
multimedia entertainment, modern video games contain a unique synthesis of
3D computer graphics art, computer graphics effects, architecture, artificial intelligence, sound effects, dramatic performances, music, storytelling, and, most importantly, interactivity. This interactivity enables the player to explore environments that range from simulated reality to stylized, artistic expressions (something no other form of entertainment can allow) where the actions of the player operating as a single, irreducible variable. In this respect, every game scenario will play out a slightly different way every time. Even if the game is highly scripted, this can still feel like a large amount of freedom to the person who is playing the game.
A related property is that of
Emergence. While many games including card games and sports rely on emergent principles, video games commonly present simulated story worlds where emergent behavior occurs within the context of the game. This is something that some gamers find appealing as it introduces a certain level of randomness to a game. In discussing the issue, game designer
Warren Spector has used the term "emergent narrative" to describe how, in a simulated environment, storyline can be created simply by "what happens to the player."http://xbox.ign.com/articles/502/502409p1.html Emergent behavior in video games date back to the earliest games though. Generally any place where event driven instructions occur for AI in a game, emergent behavior will inevitably exist. For instance, take a racing game in which cars are programmed to avoid crashing and they encounter an obstacle in the track, the cars might then maneuver to avoid the obstacle causing the cars behind them to slow and/or maneuver to accommodate the cars in front of them and the obstacle. The programmer never wrote code to specifically create a traffic jam, yet one now exists in the game.
In
Steven Berlin Johnson's book,
Everything Bad Is Good For You, he argues that video games in fact demand far more from a player than traditional games like
Monopoly (game). To experience the game, the player must first determine the objectives, as well as how to complete them. They must then learn the game controls and how the human-machine interface works, including menus and
HUD (computer gaming). Beyond such skills, which after some time become quite fundamental and are taken for granted by many gamers, video games are based upon the player navigating (and eventually mastering) a highly complex system with many variables. This requires a strong analytical ability, as well as flexibility and adaptability. He argues that the process of learning the boundaries, goals, and controls of a given game is often a highly demanding one that calls on many different areas of cognitive function. Indeed, most games require a great deal of patience and focus from the player, and, contrary to the popular perception that games provide instant gratification, games actually delay gratification far longer than other forms of entertainment such as film or even many books. Some research suggests video games may even increase players' attention capacities.
Multiplayer games, which take advantage of the fact that computer games can use the internet, provide players with the opportunity to compete with other players from across the globe, something that is also unique to electronic gaming. MMORPG take the concept much further with the establishment of vast, online communities existing in persistent, virtual worlds. Millions of players around the globe are attracted to video gaming simply because it offers such unprecedented ability to interact with large numbers of people engaged simultaneously in a structured environment where they are all involved in the same activity (playing the game).
Even simple games offer potential benefits to the player. Games like
Tetris and
Pac-man or
Galaga are well-designed games that are easy to pick up but difficult to master, much like
chess or poker. Despite their simplicity, simple games may also feature online capabilities or powerful AI. Depending on the game, players can develop and test their techniques against an advanced computer player or online against other human players.
More obvious benefits to the player can come in the form of education on the game's subject matter. For example, a
Real Time Strategy set during the
American Civil War may feature the use of period armies engaging in historical battles, and outwitting an opponent such as
Robert E. Lee. SquareEnix (SquareSoft) has done this many times in its Final Fantasy chain of games. Most of the games feature ancient gods such as Leviathan, Shiva, and Freya.
The
United States Army has deployed machines such as the
PackBot which makes use of a game-style Game controller intended to make it more familiar to use by young men and women.
Controversy
Like related forms of media, computer and video games have been the subject of frequent controversy and censorship, due to the depiction of graphic
violence,
sex, advergaming (a form of
advertising in games), consumption of
recreational drug use, consumption of alcoholic beverage or tobacco, propaganda, or
profanity in some games. Among others, critics of video games sometimes include parents' groups, politicians, organized
religion groups, and other special interest groups, even though all of these can be found in all forms of entertainment and media. Various games have been accused of causing
addiction and even violence behavior. "Video game censorship" is defined as the use of state or group power to control the playing, distribution, purchase, or sale of video games or computer games. Video game controversy comes in many forms, and censorship is a controversial subject. Proponents and opponents of censorship are often very passionate about their individual views.
Historically, this type of controversy and criticism is not unique to video games. The same situation has been applied to
comic books,
Production Code, dancing and to some extent
PMRC and List of banned books. As long ago as the nineteenth century the same accusations were made about "
penny dreadfuls". Moreover, it appears to be a question of age. Since these art forms have been around longer, the backlash against them occurred further in the past, beyond the remembrance of today's youth. In both cases, the attempts at censorship in the
United States were struck down as a violation of
First Amendment rights, and they have gone on to become fully integrated facets of society.
An organization known as the
Entertainment Software Ratings Board or ESRB rates software for certain age groups, however publishers are not required to submit games for ratings, and parents are not always aware of the existence of these ratings. In some cases, children are able to obtain software that is not deemed appropriate by the ESRB for their age.
Games that have sparked notable national controversy in the United States include
Mortal Kombat (series),
Night Trap,
Doom (video game), the
Grand Theft Auto (series) series and, most notably,
Grand Theft Auto: San Andreas' infamous
Hot Coffee mod fiasco which boosted the game's ESRB rating from M (Mature) to AO (Adults Only).
Demographics
The November 2005 Nielsen Active Gamer Study, taking a survey of 2,000 regular gamers, found that the U.S. games market is diversifying. The age group among male players has expanded significantly into the 25-40 age group. For casual online puzzle-style and simple mobile
cell phone games, the gender divide is more or less equal between males and females. Females have been shown to be significantly attracted to playing certain online multi-user video games that offer a more communal experience, and small amount of young females have been shown to play aggressive games that are sometimes thought of as being "traditionally male" games. The most "loyal" fan-base is reported to be for large
Computer role-playing game.
According to the ESRB almost 41% of PC gamers are women. "Women video gamers: Not just solitaire" from
PC World, Canada. With such video game social networks as Miss Video Game and Guild Cafe having a large percentages of female gamers the "traditionally male" games are now considered cross-gendered.
Theory
Although departments of computer science have been studying the technical aspects of video games for years, theories that examine games as an artistic medium are a relatively recent development in the humanities. The two most visible schools in this emerging field are ludology and narratology.
Narrativists approach video games in the context of what Janet Murray calls "Cyberdrama." That is to say, their major concern is with video games as a storytelling medium, one that arises out of interactive fiction. Murray puts video games in the context of the Holodeck, a fictional piece of technology from
Star Trek, arguing for the video game as a medium in which we get to become another person, and to act out in another world. This image of video games certainly received early widespread popular support, and forms the basis of films such as
Tron (film),
eXistenZ, and
The Last Starfighter.
Ludologists break sharply and radically from this. They argue that a video game is first and foremost a game, which must be understood in terms of its rules, interface, and the concept of play that it deploys. Ludologists such as
Espen J. Aarseth argue that, although games certainly have plots, characters, and aspects of traditional narratives, these aspects are incidental to gameplay. For example, Aarseth is critical of the widespread attention that narrativists have given to the curvaceous heroine of the game Tomb Raider, saying that "the dimensions of Lara Croft's body, already analyzed to death by
film theory, are irrelevant to me as a player, because a different-looking body would not make me play differently... When I play, I don't even see her body, but see through it and past it." Simply put, ludologists reject traditional theories of art because they claim that the artistic and social qualities of a video game are primarily determined by the underlying set of rules, demands, and expectations imposed on the player.
Development
Video games are made by video game developer, who used to do this as individuals or small teams in the 80's. Now, development commonly requires a large team consisting of game designer, graphic designers and other
artists,
game programmer, sound designers, musicians, and other technicians; all of which are managed by
game producer. The visionary for any game may come from any of the roles outlined.
Video games are developing fast in all areas, but the problem is of cost, and how developers intend to keep the costs low enough to attract publisher investment. Most video game console development teams number anywhere from 20 to 50 people, with some teams exceeding 100. The average team size as well as the average development time of a game have grown along with the size of the industry and the technology involved in creating games. This has led to regular occurrences of missed deadlines and unfinished products;
Duke Nukem Forever is the quintessential example of these problems.
Modifications
Games running on a PC are often designed with end-user modifications in mind, and this consequently allows modern computer games to be modified by gamers without much difficulty. These mod (computer gaming) can add an extra dimension of replayability and interest. The Internet provides an inexpensive medium to promote and distribute mods, and they have become an increasingly important factor in the commercial success of some games. Developers such as
id Software,
Valve Software,
Crytek,
Epic Games and
Blizzard Entertainment ship their games with the very development tools used to make the game in the first place, along with documentation to assist mod developers, which allows for the kind of success seen by popular mods such as the (previously)
Half-Life Mod
Counter-Strike.
Cheats
Cheating in computer games may involve cheat codes implemented by the game developers for
software testing, modification of game code by third parties (by either cheat cartridge hardware or a software trainer (games)), or players exploiting a software glitch.
Cheats usually make the game easier by providing an unlimited amount of some resource (lives, health, or ammunition, for example) but might provide an unusual or amusing feature, like reversed colors in a game, or big head mode (Spyro the Dragon) for example.
Cheat codes usually are often found on the Internet and can be found for almost any game on any platform.
Glitches
Software errors not detected by software testers during development can find their way into released versions of computer and video games. This may happen because the glitch only occurs under unusual circumstances in the game, was deemed too minor to correct, or because the game development was hurried to meet a publication deadline.
Glitches can range from minor graphical errors to serious bugs that can delete saved data or cause the game to malfunction.
Glitches in games for home computers, and now in consoles like the Xbox 360, PS3, and the Wii, may be later corrected if the developers release a
patch (computing).
Commercial aspects
Game sales
,
Switzerland) with a large selection of games for several major consoles
The three largest producers of and markets for computer and video games (in order) are the United States, Japan and the
United Kingdom.. Other significant markets include
Australia, Canada, Spain,
Germany, South Korea, Mexico,
France and
Italy. Both India and People's Republic of China are considered emerging markets in the video game industry and sales are expected to rise significantly in the coming years.
Sales of different types of games vary widely between these markets due to local preferences. Japanese consumers tend to purchase console games over computer games, with a strong preference for games catering to local tastes. In South Korea, computer games are preferred, especially
MMORPG games and
real-time strategy games; there are over 20,000 PC bang Internet cafes where computer games can be played for an hourly charge.
The
NPD Group tracks computer and video game sales in the United States. It reported that:
- Console and portable software sales: $6.2 billion, up 8% from 2003
- Console and portable hardware and accessory sales: $3.7 billion, down 35% from 2003
- PC game sales: $1.1 billion, down 15% from 2006
A possible factor causing this drop in PC games would be the free
MMORPG games available such as
Silkroad Online, Runescape and
Maple Story. Also note that PC games that are
digital distribution either directly or by distribution networks such as Steam (content delivery) are not tracked by the NPD, and Steam does not list sales numbers for games downloaded through their service.
These figures are sales in dollars, not units; unit shipments for each category were higher than the dollar sales numbers indicate, as more software and hardware was sold at reduced prices compared to 2003. However, with the release of the Next-Gen Consoles in 2006, these numbers have increased dramatically.
The game and film industries are also becoming increasingly intertwined, with companies like Sony having significant stakes in both. A large number of summer blockbuster films spawn a companion game, often launching at the same time to share the marketing costs.
There is also controversy relating video games in Australia and other PAL regions. In general when compared to the US, PAL gamers have to pay up to 40% more. More of a problem in Australia is where games are constantly delayed for no apparent reason, most notably games released by Nintendo. As English is the main language in the Australian region there is no need for any translation and the complications of differences between the PAL and NTSC video formats are not existent, as the majority of video displays in Australia are fully capable of running at a 60 Hz format. There is also the problem of Regional Lockout in Australia, with most DVD players release coming region free in order to comply with local laws, but video game consoles are still sold fully region locked. Some efforts to increase awareness of the issue, specifically to Nintendo of Australia, was in the form of a formal report outlining the issues, published by Aaron Rex Davies "Research report into excessive delays in release of Wii™ software by Nintendo™ in Australia and New Zealand regions" by Aaron Rex Davies (Portable Document Format). The report has gone on to gain a lot of attention in the public media. "Australia to Nintendo: Knock It Off" item from Digg
See also
Lists
References
External links
- "The Tenth Art", article about the cultural significance of computer games by Steven Poole
- Chronology of Video Game Systems
- User-consensus video game innovation chronology and dynamic web diagram
's
Pac-Man is one of the most popular video games ever made. The game spawned merchandise, Pac-Man (TV series) and pop songs, and is one of the most heavily
Clone (video games) video games of all-time.A
video game is a game that involves interaction with a
user interface to generate visual feedback on a display device.
The word
video in
video game traditionally refers to a
raster graphics display device.{{cite web |url=http://www.freepatentsonline.com/4813671.html |title= Raster monitor for video game displays |accessdate=2007-10-16 |format= |work=United States Patents --> However, with the popular use of the term "video game", it now implies any type of display device. The
consumer electronics used to play video games are known as platforms; examples of these are personal computers and
video game consoles. These platforms are broad in range, from large
computers such as
mainframe computer, to handheld devices such as cell phones and Personal digital assistant. Specialized video games such as arcade games, while previously common, have gradually declined in use.
The user interface normally used to manipulate video games is called a
game controller, which varies across platforms. For instance, a dedicated console controller might consist of only a button and a
joystick, or feature a dozen buttons and one or more joysticks. Early personal computer based games historically relied on the availability of a
computer keyboard for game play, or more commonly, required the user to purchase a separate joystick with at least one button to play. Many modern computer games allow the player to use a keyboard and
computer mouse simultaneously.
Beyond the common element of visual feedback, video games have utilized other systems to provide interaction and information to the player. Chief examples of these are
sound reproduction devices (Computer speaker) and an array of haptic peripherals (i.e., vibration or
force feedback).
Origins
The history of video games traces back to 1948, where the idea of a video game was conceived and patented by Thomas T. Goldsmith Jr. and Estle Ray Mann.Thomas T. Goldsmith Jr. and Estle Ray Mann filed a United States patent application on January 25, 1947 and issued on December 14, 1948. In 1958,
William Higinbotham's
Tennis for Two was developed. Then in 1962, "
Spacewar!", was developed and it is hailed as the very first computer video game. Later in 1971, Computer Space was released, the first commercially sold, coin-operated video game console.
Nolan Bushnell and Ted Dabney are credited as its creators. Finally, another great pioneer of video games came in 1972 with the Magnavox Odyssey, the very first home console.
Platforms
In common usage a "personal computer game" refers to a game that is played on a personal computer connected to a high-resolution video monitor. A "console game" is played on a specialized electronic device that connects to a standard television set or Composite monitor. A "handheld" gaming device is a self contained electronic device that is portable and can be held in a user's hands. "Arcade game" generally refers to an even more specialized type of electronic device that is typically designed to play only one game and is encased in a special arcade cabinet. These distinctions are not always clear and there may be games that bridge one or more platform. There are also platforms that have non video game variations such as in the case of
Electromechanics based arcade games. There are also devices with screens which have the ability to play games but are not dedicated video game machines. Examples are
mobile phones,
PDAs, graphing calculators, GPS receivers,
MP3 players, digital cameras and watches.
Genres
A video game, like most other forms of media, may be categorized into computer and video game genres based on many factors such as method of game play, types of goals, and more.
Because genres are dependent on content for definition, genres have changed and evolved as newer styles of video games are created. As the production values of video games have increased over the years both in visual appearance and depth of story telling, the video game industry has been producing more life-like and complex games that push the boundaries of the traditional game genres. Although many games combine genres, very few actually exist outside the paradigms of previously established genres (with notable exceptions, which when successful generally define a new genre through subsequent imitation by competition).
Some genres represent combinations of other genres such as with MMORPG (MMORPG). It is also common to see higher level genre terms that are collective in nature across all other genres such as with
Christian video games or horror-themed video games.
Social aspects
Multiplayer
gaming has traditionally been a social experience. From its early beginnings, video games have commonly been playable by more than a single player.
Multiplayer game are those that can be played either competitively or cooperatively by using either multiple input devices, or by Hotseat (multiplayer mode).
Tennis for Two, arguably the first video game, was a two-player game as was its successor,
Pong. The first commercially available console game system to support multiple games (the
Magnavox Odyssey), had two controller inputs.
Since that time, most console systems have been shipped with two or four controller inputs. Some have had the ability to expand to four, eight or as many as twelve inputs with additional adapters, such as the Multitap. In the early days, multi-player
Coin-op games commonly featured hotseat play for at least two players. In later years it was more common to feature two-player simultaneous competitive play. Public business establishments which feature predominantly coin-op video games are generally referred to as
Video arcades, and were widely popular during the
golden age of arcade games. Also in recent years, new-age
Video Gaming Centers are providing customers with the many different types of video gaming consoles. The idea of bringing people together in a cozy space that resembles the common household basement. These gaming places differ from the traditional idea of arcade.
Many early computer games for non IBM PC descendant based platforms featured multiplayer support. Personal computer systems from Atari and
Commodore International both regularly featured at least two game ports. Network games for these early personal computers were generally limited to only text based adventures or
MUDs that were played remotely on a dedicated server. This was due both to the slow speed of modems (300-1200 bit/s), and the prohibitive cost involved with putting a computer online in such a way where multiple visitors could make use of it.
IBM PC (PC for short)-based computer games started out with a lower availability of multiplayer options, largely due to many games being dependent on keyboard or mouse based interactions, a single gaming port (if any) available, and network options that were limited. However, with the advent of widespread
local area networking technologies and Internet based online capabilities, the number of players in modern games can be 32 or higher, sometimes featuring integrated text and/or voice chat.
MMOs can offer extremely high numbers of simultaneous players;
EVE Online set a record with just under 36,000 players on a single server in 2006. MMORPG.com report EVE Online reaching 32955 Peak Concurrent Users
Benefits
Perhaps the most visible benefits of video gaming are its artistic and entertainment contributions. As a form of
multimedia entertainment, modern video games contain a unique synthesis of 3D computer graphics art,
computer graphics effects, architecture, artificial intelligence, sound effects, dramatic performances, music, storytelling, and, most importantly,
interactivity. This interactivity enables the player to explore environments that range from simulated reality to stylized, artistic expressions (something no other form of entertainment can allow) where the actions of the player operating as a single, irreducible variable. In this respect, every game scenario will play out a slightly different way every time. Even if the game is highly scripted, this can still feel like a large amount of freedom to the person who is playing the game.
A related property is that of Emergence. While many games including card games and sports rely on emergent principles, video games commonly present simulated story worlds where emergent behavior occurs within the context of the game. This is something that some gamers find appealing as it introduces a certain level of randomness to a game. In discussing the issue, game designer Warren Spector has used the term "emergent narrative" to describe how, in a simulated environment, storyline can be created simply by "what happens to the player."http://xbox.ign.com/articles/502/502409p1.html Emergent behavior in video games date back to the earliest games though. Generally any place where event driven instructions occur for AI in a game, emergent behavior will inevitably exist. For instance, take a racing game in which cars are programmed to avoid crashing and they encounter an obstacle in the track, the cars might then maneuver to avoid the obstacle causing the cars behind them to slow and/or maneuver to accommodate the cars in front of them and the obstacle. The programmer never wrote code to specifically create a traffic jam, yet one now exists in the game.
In
Steven Berlin Johnson's book,
Everything Bad Is Good For You, he argues that video games in fact demand far more from a player than traditional games like
Monopoly (game). To experience the game, the player must first determine the objectives, as well as how to complete them. They must then learn the game controls and how the human-machine interface works, including menus and HUD (computer gaming). Beyond such skills, which after some time become quite fundamental and are taken for granted by many gamers, video games are based upon the player navigating (and eventually mastering) a highly complex system with many variables. This requires a strong analytical ability, as well as flexibility and adaptability. He argues that the process of learning the boundaries, goals, and controls of a given game is often a highly demanding one that calls on many different areas of cognitive function. Indeed, most games require a great deal of patience and focus from the player, and, contrary to the popular perception that games provide instant gratification, games actually delay gratification far longer than other forms of entertainment such as film or even many books. Some research suggests video games may even increase players' attention capacities.
Multiplayer games, which take advantage of the fact that computer games can use the internet, provide players with the opportunity to compete with other players from across the globe, something that is also unique to electronic gaming.
MMORPG take the concept much further with the establishment of vast, online communities existing in persistent, virtual worlds. Millions of players around the globe are attracted to video gaming simply because it offers such unprecedented ability to interact with large numbers of people engaged simultaneously in a structured environment where they are all involved in the same activity (playing the game).
Even simple games offer potential benefits to the player. Games like
Tetris and
Pac-man or
Galaga are well-designed games that are easy to pick up but difficult to master, much like chess or poker. Despite their simplicity, simple games may also feature online capabilities or powerful AI. Depending on the game, players can develop and test their techniques against an advanced computer player or online against other human players.
More obvious benefits to the player can come in the form of education on the game's subject matter. For example, a
Real Time Strategy set during the
American Civil War may feature the use of period armies engaging in historical battles, and outwitting an opponent such as
Robert E. Lee. SquareEnix (SquareSoft) has done this many times in its Final Fantasy chain of games. Most of the games feature ancient gods such as Leviathan, Shiva, and Freya.
The United States Army has deployed machines such as the
PackBot which makes use of a game-style Game controller intended to make it more familiar to use by young men and women.
Controversy
Like related forms of media, computer and video games have been the subject of frequent controversy and
censorship, due to the depiction of graphic
violence, sex, advergaming (a form of advertising in games), consumption of
recreational drug use, consumption of alcoholic beverage or tobacco, propaganda, or profanity in some games. Among others, critics of video games sometimes include parents' groups, politicians, organized
religion groups, and other
special interest groups, even though all of these can be found in all forms of entertainment and media. Various games have been accused of causing
addiction and even violence behavior. "Video game censorship" is defined as the use of state or group power to control the playing, distribution, purchase, or sale of video games or computer games. Video game controversy comes in many forms, and censorship is a controversial subject. Proponents and opponents of censorship are often very passionate about their individual views.
Historically, this type of controversy and criticism is not unique to video games. The same situation has been applied to
comic books, Production Code, dancing and to some extent
PMRC and List of banned books. As long ago as the nineteenth century the same accusations were made about "
penny dreadfuls". Moreover, it appears to be a question of age. Since these art forms have been around longer, the backlash against them occurred further in the past, beyond the remembrance of today's youth. In both cases, the attempts at censorship in the
United States were struck down as a violation of First Amendment rights, and they have gone on to become fully integrated facets of society.
An organization known as the
Entertainment Software Ratings Board or ESRB rates software for certain age groups, however publishers are not required to submit games for ratings, and parents are not always aware of the existence of these ratings. In some cases, children are able to obtain software that is not deemed appropriate by the ESRB for their age.
Games that have sparked notable national controversy in the United States include
Mortal Kombat (series),
Night Trap,
Doom (video game), the
Grand Theft Auto (series) series and, most notably,
Grand Theft Auto: San Andreas' infamous Hot Coffee mod fiasco which boosted the game's ESRB rating from M (Mature) to AO (Adults Only).
Demographics
The November 2005 Nielsen Active Gamer Study, taking a survey of 2,000 regular gamers, found that the U.S. games market is diversifying. The age group among male players has expanded significantly into the 25-40 age group. For casual online puzzle-style and simple mobile
cell phone games, the gender divide is more or less equal between males and females. Females have been shown to be significantly attracted to playing certain online multi-user video games that offer a more communal experience, and small amount of young females have been shown to play aggressive games that are sometimes thought of as being "traditionally male" games. The most "loyal" fan-base is reported to be for large Computer role-playing game.
According to the ESRB almost 41% of PC gamers are women. "Women video gamers: Not just solitaire" from
PC World,
Canada. With such video game social networks as Miss Video Game and Guild Cafe having a large percentages of female gamers the "traditionally male" games are now considered cross-gendered.
Theory
Although departments of computer science have been studying the technical aspects of video games for years, theories that examine games as an artistic medium are a relatively recent development in the humanities. The two most visible schools in this emerging field are ludology and
narratology.
Narrativists approach video games in the context of what Janet Murray calls "Cyberdrama." That is to say, their major concern is with video games as a storytelling medium, one that arises out of interactive fiction. Murray puts video games in the context of the
Holodeck, a fictional piece of technology from
Star Trek, arguing for the video game as a medium in which we get to become another person, and to act out in another world. This image of video games certainly received early widespread popular support, and forms the basis of films such as
Tron (film),
eXistenZ, and
The Last Starfighter.
Ludologists break sharply and radically from this. They argue that a video game is first and foremost a game, which must be understood in terms of its rules, interface, and the concept of play that it deploys. Ludologists such as Espen J. Aarseth argue that, although games certainly have plots, characters, and aspects of traditional narratives, these aspects are incidental to gameplay. For example, Aarseth is critical of the widespread attention that narrativists have given to the curvaceous heroine of the game
Tomb Raider, saying that "the dimensions of
Lara Croft's body, already analyzed to death by film theory, are irrelevant to me as a player, because a different-looking body would not make me play differently... When I play, I don't even see her body, but see through it and past it." Simply put, ludologists reject traditional theories of art because they claim that the artistic and social qualities of a video game are primarily determined by the underlying set of rules, demands, and expectations imposed on the player.
Development
Video games are made by video game developer, who used to do this as individuals or small teams in the 80's. Now, development commonly requires a large team consisting of
game designer,
graphic designers and other
artists, game programmer, sound designers, musicians, and other technicians; all of which are managed by game producer. The visionary for any game may come from any of the roles outlined.
Video games are developing fast in all areas, but the problem is of cost, and how developers intend to keep the costs low enough to attract publisher investment. Most video game console development teams number anywhere from 20 to 50 people, with some teams exceeding 100. The average team size as well as the average development time of a game have grown along with the size of the industry and the technology involved in creating games. This has led to regular occurrences of missed deadlines and unfinished products;
Duke Nukem Forever is the quintessential example of these problems.
Modifications
Games running on a PC are often designed with end-user modifications in mind, and this consequently allows modern computer games to be modified by gamers without much difficulty. These mod (computer gaming) can add an extra dimension of replayability and interest. The Internet provides an inexpensive medium to promote and distribute mods, and they have become an increasingly important factor in the commercial success of some games. Developers such as id Software,
Valve Software,
Crytek, Epic Games and
Blizzard Entertainment ship their games with the very development tools used to make the game in the first place, along with documentation to assist mod developers, which allows for the kind of success seen by popular mods such as the (previously) Half-Life Mod
Counter-Strike.
Cheats
Cheating in computer games may involve cheat codes implemented by the game developers for software testing, modification of game code by third parties (by either
cheat cartridge hardware or a software
trainer (games)), or players exploiting a software glitch.
Cheats usually make the game easier by providing an unlimited amount of some resource (lives, health, or ammunition, for example) but might provide an unusual or amusing feature, like reversed colors in a game, or big head mode (Spyro the Dragon) for example.
Cheat codes usually are often found on the Internet and can be found for almost any game on any platform.
Glitches
Software errors not detected by software testers during development can find their way into released versions of computer and video games. This may happen because the glitch only occurs under unusual circumstances in the game, was deemed too minor to correct, or because the game development was hurried to meet a publication deadline.
Glitches can range from minor graphical errors to serious bugs that can delete saved data or cause the game to malfunction.
Glitches in games for home computers, and now in consoles like the
Xbox 360, PS3, and the Wii, may be later corrected if the developers release a
patch (computing).
Commercial aspects
Game sales
, Switzerland) with a large selection of games for several major consoles
The three largest producers of and markets for computer and video games (in order) are the
United States,
Japan and the
United Kingdom.. Other significant markets include Australia,
Canada, Spain,
Germany,
South Korea,
Mexico, France and
Italy. Both India and People's Republic of China are considered emerging markets in the video game industry and sales are expected to rise significantly in the coming years.
Sales of different types of games vary widely between these markets due to local preferences. Japanese consumers tend to purchase console games over computer games, with a strong preference for games catering to local tastes. In South Korea, computer games are preferred, especially
MMORPG games and
real-time strategy games; there are over 20,000 PC bang Internet cafes where computer games can be played for an hourly charge.
The
NPD Group tracks computer and video game sales in the United States. It reported that:
- Console and portable software sales: $6.2 billion, up 8% from 2003
- Console and portable hardware and accessory sales: $3.7 billion, down 35% from 2003
- PC game sales: $1.1 billion, down 15% from 2006
A possible factor causing this drop in PC games would be the free
MMORPG games available such as Silkroad Online, Runescape and
Maple Story. Also note that PC games that are digital distribution either directly or by distribution networks such as
Steam (content delivery) are not tracked by the NPD, and Steam does not list sales numbers for games downloaded through their service.
These figures are sales in dollars, not units; unit shipments for each category were higher than the dollar sales numbers indicate, as more software and hardware was sold at reduced prices compared to 2003. However, with the release of the Next-Gen Consoles in 2006, these numbers have increased dramatically.
The game and film industries are also becoming increasingly intertwined, with companies like
Sony having significant stakes in both. A large number of summer blockbuster films spawn a companion game, often launching at the same time to share the marketing costs.
There is also controversy relating video games in Australia and other PAL regions. In general when compared to the US, PAL gamers have to pay up to 40% more. More of a problem in Australia is where games are constantly delayed for no apparent reason, most notably games released by Nintendo. As English is the main language in the Australian region there is no need for any translation and the complications of differences between the PAL and NTSC video formats are not existent, as the majority of video displays in Australia are fully capable of running at a 60 Hz format. There is also the problem of Regional Lockout in Australia, with most DVD players release coming region free in order to comply with local laws, but video game consoles are still sold fully region locked. Some efforts to increase awareness of the issue, specifically to Nintendo of Australia, was in the form of a formal report outlining the issues, published by Aaron Rex Davies "Research report into excessive delays in release of Wii™ software by Nintendo™ in Australia and New Zealand regions" by Aaron Rex Davies (
Portable Document Format). The report has gone on to gain a lot of attention in the public media. "Australia to Nintendo: Knock It Off" item from Digg
See also
Lists
References
External links
- "The Tenth Art", article about the cultural significance of computer games by Steven Poole
- Chronology of Video Game Systems
- User-consensus video game innovation chronology and dynamic web diagram
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